ARRI / ZEISS MASTER PRIMES:

16mm, 21mm, 32mm, 50mm, 75mm, 100mm with additional focal lengths available.

  • Clean look

  • Minimal Breathing

  • Ideal for VFX work.

  • T 1.3

Table displaying technical specifications with columns for Focal Length, T Stop, Close Focus, Weight in pounds, Length, Coverage, and Front Diameter in millimeters.

Reliability since 2005 the Master Primes are incredibly fast, with the entire set consistently having an iris of T 1.3. Due to their reduced flare, high resolution, high contrast, and overall clean look the Master Primes lend themselves towards VFX shooting.

“The lack of fringing and chromatic aberrations make these lenses a preference for many VFX and 3D integration situations.”

Even though the Master Primes are 19 years old they are still being used on many large scale films. Recently they have been used by Martin Scorsese in his heavily Academy nominated The Irishman. Roger Deakins has also used them numerous times with his collaborations with the Cohen brothers. Just recently they were used on the best picture winner Everything Everywhere All At Once.

A technical chart comparing different camera lens specifications, including focal length, T stop, close focus distance, weight, length, coverage, and front diameter.
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A professional ARRI digital cinema camera with a large lens and various mounted accessories.

The Zeiss Master Primes are a Super 35 lens which pair perfectly with any of our Super 35 cameras; Alexa 35, Red Komodo, C300 Mark III.

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