ARRI SIGNATURE PRIMES LPL T1.8:

21mm, 29mm, 40mm, 58mm, 95mm, 150mm…. a variety of focal lengths available

A row of camera lenses on a table, with a shallow depth of field focusing on the closest lens marked 'ARRI' and 'Signature Prime 15mm'.
Reserve
Six large camera lenses arranged in a row on a surface against a plain white background.

  • Crisp Blacks

  • Beautiful Organic Skin Tones

  • No Breathing

  • Low Contrast

  • Universal T 1.8 for Main Set

A detailed technical specification table for camera lenses, listing focal lengths, T stop, close focus distance, weight in pounds, length, coverage, and front diameter in millimeters.

Pair with our SIGNATURE 24-7mm ZOOM:

Close-up view of a professional cinema camera with a large lens and electronic controls.

The Signature Prime Series is unlike any other. First off all of the lenses are at high speeds, with the main set at a universal T 1.8. Not only this, but their close focus is also incredibly strong. Most of the main set have a close focus of 1 foot and 2 inches.

The Signature primes have very strong character. They can have beautiful skin tones, little to no breathing and a smooth bokeh. They also have warm shadows and crisp blacks. This all to say that these lenses are not overly showy and won’t have characteristics that are too distracting which is useful when in post production.

The Signature Primes are LPL mount and can be used on any of our cameras with LPL mounts and also be used on any of our other full frame cameras which don’t have any LPL mount with an adapter. Additionally, This can also be used with our Arri Signature Prime 24mm-75mm Zoom

A detailed technical specification chart for fishing lines showing parameters such as focal length, T stop, close focus, weight in pounds, length, coverage, and front diameter in millimeters.

The Signature Primes were exclusively used by Roger Deakins on the Academy Award winning film 1917

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